States of light, 2011
Vou só mas nunca estou só, 2009
In a time defined by the technological advancement and by the proliferation of communicative devices, the society is seen face to face with strategic mechanisms that appeal to the consumption. The contemporary art presents itself as the desire of being inherent to the social and cultural life, questioning its critical proceedings through its production itself. In this sense, the understanding of an extended vision of its tools (post-medium age) reveals itself a favorable point in its intentionality of contamination and letting be contaminated by the reality. The cell phone, for example, while potential of communication, presents itself as an influenced object of the consumer society, waking in the individual a feeling of happiness through the offered functions.